From The Age Blogs: Noise Pollution

According to the blog post in The Age, Trent Resznor, producer of the experimental Saul Williams album The Inevitable Rise and Liberation of Niggy Tardust is lamenting that after releasing the album online for free, “only” 28,322 paid the $5 fee for getting the good version, after the 150,000 free downloads had been reached.

The Age Blogger goes on to state that “once again consumer response, on the internet at least, has shown a disinclination to pay over the opportunity to get something for nothing, thus undermining the project itself. ”

But of course this is complete trash.

The article itself mentions that Williams’ previous album sold 33,000 copies. A drop to 28,000 (and change) is pretty amazing, considering the album is very available for free on the net even after Williams’ site stopped giving it away. And after all, that’s $141,000 in hard cash, presumably going straight to the pair, as they work independently, thanks to the net. And no money is spent on marketing. Add to that that now there are DRM free tracks of Saul Williams circulating like none of his other albums EVER did.

Williams is not famous by any means. But he is awesome. And now more people know that.
More exposure, no marketing, no record company, as well as sales of over $100,000 in the face of the get it for free option.

I would have though Reznor had his own studio too – isn’t this enough money?

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